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Category Archives: musique Concrète
A Brief History of Ambient in the UK Part 1 – Ray Cathode- Time Beat / Waltz in Orbit
Certainly not the earliest “ambient” record in the UK, but we’ll start here for now, I guess Artist: Ray Cathode Title: Time Beat / Waltz in Orbit Released: 1962 (modern reissues) Label: Parlophone, Capital, Trunk, Dublab Genres: ambient, electric waltz, … Continue reading
Posted in 1960s ambient, 1960s music concrete, ambient EPs, Ambient in the UK, ambient music, ambient singles, art rock, chill out, downtempo, early ambient music, early electronic music, electronic music, experimental music, foxes rule, ok?, history of ambient in the UK, music concrete, musique Concrète, obscure ambient music, prigins of American ambient music
Tagged 1962, 1962 ambient, ambient music, BBC Radiophonic Workshop, downtempo, early ambient music, early electronic music, George Martin, history of ambient in the UK, history of electronic music, Maddalena Fagandini, obscure ambient music, Ray Cathode, The Beatles
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Foxy Digs Music Concrete & Tape Music
Foxy Digs Music Concrete & Tape Music Musique Concrète, or simply, music concrete, is the foundation of modern sampling, dubbing and digital production. In the 1940s, there was a need for musical compositions that didn’t necessarily need to rely on … Continue reading
Posted in 1940s music concrete, 1950s music concrete, 1960s music concrete, early electronic music, electronic music, experimental music, foxes rule, ok?, music concrete, musique Concrète, tape music
Tagged 1940s music concrete, 1950s music concrete, 1960s music concrete, BBC Radiophonic Workshop, early electronic music, experimental electronic music, field recordings, foxes rule, Leuning, magnetic tape, modern classical, music concrete, musique Concrète, ok?, Pierre Schaeffer, shellac records, tape manipulations, tape music, Ussachevsky
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