Tuning In: About Tuning Into The Obscure + Contact info and Submissions

Hi!

You’ve found the front page of Tuning Into The Obscure! I know the date on this says May of 2011, but ignore that. Scroll down for new content.

And now, the obligatory front page bio stuff and contact info….

Over the past few years, I’ve been on a mission to find the best music on the planet, whether it be old, new, well known, obscure, underground or mainstream, or completely unknown previously. I started this project on an older, more personal blog but eventually figured it’d be easier to post all the music stuff here.

So here, you’ll find reviews on a variety of genres as well as interviews with artists and labels, spotlights on musical history, band previews and other various ramblings. Occasionally, I may even slip in some bits of my own music.

Submissions and Contact Info:

If you’re an artist/in a band or are a small label with some music you think the world should hear, contact me! Seriously, send me some tunes! Submissions are always welcome in all physical formats (please note that until further notice, digital downloads cannot be accepted due to tech issues). All genres are fair game.  Please note that if you already have my mailing address, it has changed as of May 2012.

Contact: lonelyfox_music@yahoo.com

Twitter: @Hound_of_Music

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Psychonavigation – Tranquillo – Offshoot Records Jams Summer 2015

Psychonavigation, Tranquillo, Offshoot summer 2015

New Composers & Brian Eno – Smart

It’s about time these two collaborated. Not surprisingly, things are quite stunning. Piano tracks, ambient gems, soundscapes and some hints of jazz and classical compositions all get a mixing here to create the album I am sure a lot of you have been waiting for. It gets pretty retro in spots, with a few tracks leaning, believe it or not, on 50s rock, and others on 60s jazz. It’s an odd style choice and yet, here, it works. In fact, it may only have ever worked on this release. Some folks may find the blending of these genres on an electronic album as a bit jarring or too mismatched but honestly, it’s not as far fetched of a concept than it sounds. It’s playfully bold, engaging and well composed. In summary, it was a surprisingly varied album but nonetheless a good one. (4.6 out of 5)

Fallen – Secrets of the Moon

Ambient, modern classical, space ambient and melodic drones come together on this album, building a dreamscape of sorts, leaning on the influences of Tangerine Dream, Ash Ra Temple and others. And the end results come of fairly close to those inspirations. It takes the best of the older, more adventurous sounds that made those bands great and takes it into a bold, dreamy and somewhat dark direction without losing any excitement for the journey to continue. It’s rather captivating. Obviously, fans of the aforementioned acts will dig this. I kind of wish this was on vinyl. (4.7 out of 5)

Lorenzo Montana – Vari Chromo

For an ambient album, this is quite rich in accompaniment and composition. Things have clearly evolved here, but let’s start at the beginning. At this album’s foundation is elements of ambient music, in particular, stylings that resemble ambient music’s first big peak in 1994. In fact, it almost borders on IDM a bit, referencing a bit of FSOL and Plaid. Building on to that, we have classical elements, glitches, soundscapes, hints of acid and darker electronica, so perhaps leaning a tiny bit on Aphex Twin, µ-ziq, Redeye, and perhaps Autechre. And then go a bit darker. Add a few dashes of dark ambient and some darker yet playful electronica and some leanings on analog and things really get cooking. This is a nive retrofuturistic jam; completely sweet from start to finish. (4.8 out of 5)

Nymphalida – Loghi

Containing just five tracks, this album has a lot to convey. Perhaps the darkest of the set of music I’ve reviewed thus far, this pieces together drones (some melodic, others more like distant whispers or other sounds), synth whispers, classical elements of string and piano and heavy bits of ambient. The notes say it describes humanity’s relationship to place, and that can easily be seen here as each piece draws upon a landscape built on sound and how you react as the listener. This is a rich piece of work despite being fairly minimal in spots. This is my first introduction to this artist and I am curious to hear more! The closing track for me is the highlight but every track on this was superb. Very well done! (4.8 out of 5)

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Electronic Midsummer Jams 2015

Ujjaya – De retou – Spheredelic

A remastering of the original 1998 cassette album, Malagasy artist Ujjaya creates something stunningly magical here. A mixture of ethno-ambient, traditional elements of world music (namely Malagasy, a little bit of raga, etc…), field recordings and ambient’s more organic side, it is easy to see why folks have likened this to the music of Tuu. And yet, at times, things take on a somewhat space-ambient feel, going pretty far out and deep. It really blows my mind that this came out back at the end of the 90s and yet, didn’t pop up on anyone’s radar. I guess that’s one good thing about the net these days. Download this album while you can (it’s free!) and turn on, tune in, and drift away. Thanks for bringing this gem back to the surface! (4.8 out of 5)

Analog Dreams – Out of the Sky EP – Terminal

Dimitris Avramidis (Five Minutes Alone, Middlemarch) teams up with Craig Gillman (Loose Link, Sturmazdale, Clockwork Keyboard) and create an EP that’s a wildly insane mixture of ambient, illbient, experimental and industrial. It’s unearthly, retrofuturistic, dark, lively and mind blowing. I should have expected nothing less when these two brains got plugged into each other and a set of amps. The remix by Akkya is a gem in itself. It strips some of the nightmare away and creates a darker, industrial version of the title track, adding to the very wild nature of the EP as a whole. The closing track goes darker still, leaning a bit more on the ambient side of things but remaining fiercely illbient, much like Small Fish With Spine, DJ Spooky’s early material and FSOL’s darkest dreams. Holy god, why isn’t this on a CD/vinyl yet with some additional tracks? This is stunning. (5 out of 5)

HOT DATE – Burn On Continuum – Talking Skull

HOT DATE return with another sonic explosion on their newest cassette. This is some in your face material, consisting of three tracks. Would I be wrong in assuming they’re improvisations? Either way, these are intense and yet capture the experimental spirit of electronic composition, something I’ve not picked up on a noise album since those old “computer tape music” or those “new electronic music compositions” records came out in the mid 60s. This tape, much like those records, are boldly mapping out new frontier while making as much noise as possible, even at their quietest moments. This tape is out of sight. Grab is ASAP! (4.8 out of 5)

Sy/van – Odette EP – self-released

Minimal-ish electronic music that oozes between house, ambient and dub, in the end to create its own sound. This is one of the first electronic submissions I’ve had pop on my radar that remotely touches on dance music and it was a fairly decent release. While leaning on some solid genre frames, it’s not afraid to venture out and make its own paths and sound. Don’t ask me to make comparisons, this is best left for you to hear for yourself. The tunes are fairly dark overall, but surprisingly light in spots, giving this music a vibe that’s sweet and wildly unique. Scoop up this bit of ear candy NOW! (4.7 out of 5)

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Relaunch of the Lonelyfox Project

bad wolf 3

So way, way, WAY back when, not too long after Keith and I launched the Coherent ENCoherence sound collage project, we both came up with our own side projects.  He did an ambient/ambient folk type thing as Keith Harvest, I created Lonelyfox for more ambient type things. We had a few others like The Eighth Tiny Reindeer and The Pistol Nixons but for the life of me, I can’t find the tracks we did under those names… at least not yet.

So Lonelyfox became an ambient output and even though it started as a solo project for me, Keith and the other brother, Jared would collaborate at times.  I put together two albums of material and self-released the first one in Maryland in 2004 or so.  Ultimately, I think two copies made it out and really, the material in my opinion wasn’t the best.  The 2nd album was pushed out as a free download some years later after moving to western New York but since then, it’s not done much and I’m debating what to do with it. Eventually, I’d like to just remix the entire first album. After that, I’ll figure out what to do with the second one.

I had plans to release some EPs, starting with the “Kisses EP.” I released the first track to whomever wanted it via Megaupload or something shortly after I made it so maybe a few folks have it.  I recorded three other version of the track, sort of like extended remixes or “paths” but none of them got released.  I redid one of those and then lost it somewhere and gave up on the idea for a while.

After putting together a 15 minute mixture for an upcoming Terminal Radio transmission, I felt creative again.  I dug up an old cassette of The Coherent ENCoherence material and converted it to digital, and suddenly realized I could start doing something similar for Lonelyfox.

I posted an old turntable clip under the project that was originally put together in 2003, simply called “Like This.”  It sampled an old public domain kids record, something that had to do with “tripping over the moon” and released a 45 second clip and let whomever wanted to remix it to go nuts.  I posted the final product, a four track EP, on the newly launched Bandcamp page.  The Bandcamp page would also serve as a label page, which was something else we wanted to do since the 90s.

While I figure out what else I’d like to do with Lonelyfox, I figured I’d at least dig up the older material that I did want to release and put it up on the page.  I also figured I’d let anyone who was interested have the ability to remix it; I liked how things turned out the first time around.  I might do a few of these.  Stay tuned to my Soundcloud page for “open season remixes” and the Bandcamp page for final results.

Consider Lonelyfox officially rebooted.

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Akkya – Three EPs

Three EPs by Akkya

Having been surfing on Terminal Radio transmissions lately and skulking about the Boards, it occurred to me that it’s been a while since we last checked in on Akkya.  Previously, Akkya’s released Abandoned Future Perfect which has seen a release on City Wall along with three remix EPs and one other release entitled “Tablet VII”.  Ahead of a new album, there are three EPs up on Soundcloud for streaming that we’ll look at today.

Earthling EP

Clocking in at over twelve minutes, this Ep travels quite a bit soundwise, ranging from atmospheric scapes to FSOL-styled ambience, “A Tiny Constellation that is Dying in the Corner of the Sky” travels, much like how the stars streak across the sky as the Earth rotates ever onward.  It’s a track that I’ve played at least a dozen times while lying on the floor and daydreaming. It’s captivating and at the same time, it frees my mind.  In that sense, it accomplishes its EP namesake: I’m an Earthling gazing up at the stars.  This is brilliant.  (5 out of 5)

Lonely Child EP

(track one) (track two) (track three)

Things kick off here with the track “From an Imprisoned Room I See” which in itself could be a Van Gogh reference.  The track is layered richly with synth, samples and sounds, giving this a VERY well composed structure and feeling.  However, its not afraid to dart back into darker, somewhat minimal scapes, giving it an isolated and yet dreamy feel.  This is a very powerful way to start this EP.  The next two tracks, “The Rains Over the Land” and “Ayahuassa” we get some string and a little bit of guitar action, bringing some interesting new directions and feelings into the mix.  This EP as a whole is very earthly, almost putting me in the same zone when I spin “Lifeforms” and it really makes me wonder why Akkya’s not enjoyed too many physical releases of his material. Seriously, world, you don’t know what you’re missing. (% out of 5)

Transmission EP

(+track one + video) (Track two) (track three)

The third EP features three tracks, the first two of which really play off of each other.  The opener, “Distant Transmission,” is a strong track, giving me the feeling that even though the transmission in this case may be distant, it is coming in loud and clear. The second track, “Response Transmission” builds in a similar way as the opening track but is softer, somewhat gentler, as if the response itself is coming in from even farther away.  The final track is “Encoded Transmission.”  It is softer still, as if it’s a hidden message compiled from background noise from the previous transmissions, or at least that’s where my imagination went to.  A brilliant way to close this EP! (4.8 out of 5)

Summery:

Seriously, these were superb EPs and much like FSOL or the material from the other folks on the FSOL Board, I’m blown away that Akkya doesn’t have physical CDs out yet via a label. I mean, I’m thrilled the earlier works got a release digitally but these EPs deserve the same treatment.  If you’re following Terminal Radio, FSOL, Off Land, Ross Baker, Loose Link and Akkya’s previous material, you’re going to love this.  Sorry it took me two months to get this post up!

Seriously, these were superb EPs and much like FSOL or the material from the other folks on the FSOL Board, I’m blown away that Akkya doesn’t have physical CDs out yet via a label. I mean, I’m thrilled the earlier works got a release digitally but these EPs deserve the same treatment.  If you’re following Terminal Radio, FSOL, Off Land, Ross Baker, Loose Link and Akkya’s previous material, you’re going to love this.  Sorry it took me two months to get this post up!

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Loose Link – Neo Tropico

LLNT

Artist: Loose Link

Title: Neo Tropico

Label: illuminated Paths

Format: Cassette (limited edition), Digital

Genre: Experimental, Vaporwave, Sound Collage, Ambient

The tape came with stickers, cards, pogs and other neat little things, but obviously, the real treat is the music itself. Loose link’s previous releases have been, typically, this nice, hazy sound collage type material. Think of the Avalanches but with more wild atmospheres and a lot less focus on beats and more of a focus on the sound itself.  Now, calling it “vaporwave’ I guess is up to you. I’m somewhat unfamiliar with the genre and but I am aware of the annoying “it’s legit/it’s not a legit genre” riff raff that has been bouncing all over the net.  I’m going to just focus on the music as a whole.

We open with a chilled track with echoed synth and a stretched out vocal sample. It sets the tone for the album as a whole; this sort of hazy nostalgic-retrofuturistic collage idea is actually quite captivating.  Maybe that’s because I make collages as well but the skill here in terms of production, layering, sampling and the choice of the sounds used is really something to behold. Voices, musical clips, waves and other found samples are gingerly mixed with effects, synth and other electronic goodness and create something surprisingly mellow.

Did I mention that Loose Link collaborates with some of his friends on tracks? Folks like Noisesurfer, The Alternative Sapien, Off Land and a score of others? Seriously, this tape is PACKED with folks lending their own styles and touches.  So the sound over all gets quite varied without leaping too far out of the central theme.  Think FSOL meets The Avalanches, meets Negativland meets VHS Head.  This is wild!  Compared to his previous works, the style is similar but this certainly feels like a logical progression.

Each track has something unique to offer. I therefor argue each one is a standout in its own right; there certainly aren’t any low hitters.  I’d urge fans of the FSOLForum to get your paws on this one or if you’re fns of the aforementioned groups and/or a fan of Loose Link’s previous material.  This is a good time you’re missing out on.  (4.8 out of 5)

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Terminal Radio, Terminal Interface, Terminal Window – Ambient Bliss

TTTTTTTTTTTTTT

All right, let’s see what we can see… Everybody online… looking good.

Stream this while you read.

I’ve lost track of time, honestly, so don’t ask me when this started.  As I recall, it started as a group of ambient enthusiast who created a forum/board online mainly focusing on The Future Sound of London and that group’s impressive body of work.  What it turned into was a place for like-minded folks to share their own music.  Before long, a compilation was put together, entitled Terminal Window.  That was back in 2011.  It featured 14 tracks by eight different artists.  The end result was nothing short of stunning.  There are now three volumes in the Terminal Window series (go here) and two additional releases under the Terminal mainframe.

Terminal Interface is one of those releases and much like other three Terminal Window compilations, it made me feel very much the way FSOL made me feel upon every listen.  This is the ambient music of the gods.  Well, you know what I mean.  It rekindles my will to live.

Artists who contributed to these became household names for me and new discoveries are still constantly popping up. Folks like Ross Baker (Second Thought), Loose Link, NMESH, Noisesurfer, Akkya, Clockwork Keyboard, Off Land, Herd, Five Minutes Alone and a pile of others became artists/groups to keep an eye on; whatever work they release is always worth hearing.

Terminal Radio also became an outlet for the many artists on the FSOLBoard/Forum.  However, here, the format was the DJ Mix.  Typically clocking in between 2.5 and 3 hours, these ambient trips would sometimes feature two to four mini mixes by artists.  The final result would be sewn together by the “curator,” typically one of the artists from the original Board.  You can stream these via Mixcloud or through the individual Soundcloud pages of the curators (this is especially true if you’re in the states and you find yourself unable to stream a show thanks to our antiquated copyright laws).

The beauty of all of this Terminal stuff is that it’s putting the most cutting edge ambient, experimental and otherwise unheard music right out there in the spotlight while at times, mixing in a few well known classics.  We’re getting to check out new artists that re lurking in the shadows of the music world who have very impressive sounds and talents who SHOULD be heard, who SHOULD have more material in your hands and SHOULD get more attention than they have now.  Yes, some of them already have a massive discography and some are on labels but there are many who are just starting out.  But, all of them are stunning and should infiltrate your headspace.

If you’re an ambient junkie, you need to tune in.

I would like to feature material and info on the artists who partake in the Terminal, so if you’re one of them and you see this, give me a howl.

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Spring Showcase for Psychonavigation & Offshoot Records

Spring Showcase for Psychonavigation & Offshoot Records

Derek Carr – Almost Home EP – Offshoot

Detroit styled techno hooks up with drum’n’bass with interesting results.  Carr’s Ep is awash in lush atmospheres, giving a fresh and retro feel that perhaps both genres haven’t experienced in a long while.  Especially the third track. There’s some nice build up, layering and mellowness to it; I feel it’d be a sweet single on vinyl.  I’m hard pressed to describe what this album reminds me of, so I guess take your favorite Detroit track, mix it with your favorite 90s drum’n’bass tune, add a dose of the future, and serve over an ice cold hard drink. (4.7 out of 5)

New Composers – Boring Music – Psychonavigation

You might remember this Russian ambient group from their collaborations with Brian Eno and Pete Namlook.  They return here at last with a new full length album.  This is a very synth oriented album, but it doesn’t rely on pads as much as I would have thought.  It creates gentle melodies and spaces them out, filling in the spaces with brilliant cosmic effects, atmospheres and other strange manipulated sounds.  It’s gentle and subtle at times, while it boldly engages you at others.  Deep space meets the world we touch and live in every day.  Fans of Namlook, FSOL, Eno and Biosphere will enjoy this  Superb. (4.8 out of 5)

The Gateless Gate – Sibir – Offshoot

Siberia is a huge place.  Don’t just imagine it being an icy and empty place, as that part isn’t the complete picture.  There’s a coastline, there are valleys and hills and forests.  This album is like a soundtrack to every region of that vast, huge region.  The music here definitely reflects that with ultra-stretched out synth pads that almost create super melodic drones, manipulated sounds/samples and filtered and textured voices.  This is a long album but that’s a good thing. You can’t create a vast world with short tracks.  Fans of drone, melodic ambient and glacial ambient will enjoy this! (4.8 out of 5)

UOVI – UOVI – Offshoot

Ambient and electronica come together and create something unique here.  It’s like FSOL met up with Boards of Canada, Biosphere, Steve Stoll, and Sense and the final result was this massive, varied eruption… and yet, despite the variance between tracks, still maintains a wholeness that few artists pull off well.  Various synth styles, ambient techniques and subgenre-hopping are just the tip of the iceberg.  There is a lot going on here and it is truly fantastic.  This is the first album under this particular project but the skills and experience of the artist behind it really shine through.  Well done! This really makes me hungry for the next album!  (4.9 out of 5)

Waves on Canvas – Into the North Sea – Psychonavigation

A re-release.  Electronics, modern classical and brilliantly written lyrics and guest-performed vocals make this a very unique piece of work. It’s easy to see why the 7” single “Angel” had so much praise, and even easier to see a reissue of this album as a whole was in high demand.  Elements of ambient, glitch, pop, new wave, experimental, spoken word, and shoegaze also sprout up here and there, giving a wide variety of sounds to this release.  But again, much like the other albums in this showcase, the artist maintains a level of wholeness despite the variety.  A very good album, to say the least. (4.7 out of 5)

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Endless Nameless – A Brief Look Back at the Music of Nirvana

Nirvana

I’ve always found it odd that modern society tends to focus more on the death dates for influential people rather than their birthdate.  As many of you already know, today (April 5th) is the 21st anniversary of the death of Nirvana frontman, Kurt Cobain.  I had been planning on writing up a post featuring short reviews for each of the band’s releases but as many of my project posts tend to do, it got lost under the clutter.  Let me start off with some random thoughts.

Nirvana is by the far one of the most influential rock bands of the modern age.  Despite their relatively short career, they made a huge impact on rock music as we know it and shook up the world’s idea of what it could be.  However, as much as Nirvana wouldn’t be Nirvana without Kurt, you can’t forget the folks who made the band come together, even if their stay within it didn’t last long.  It was their contributions that helped push the band into what we know it as today.

Former Members:

Aaron Burckhard: An early drummer for the band whom was replaced by Chad Channing.  You can find some of his work on the band’s “With The Lights Out” via the early live recordings.  He eventually played in the band Attica which released an LP in 2005.

Chad Channing:  Drummer for the band between 1988 and 1990.  While it’s not been easy to track details on where he’s been since (or even before Nirvana), it seems he has spent time in the Fire Ants on the EP, “Stripped” which was released in 1993.

Dale Crover – Dale jammed with nirvana in the early years while being a full time member of The Melvins.  He’s released some solo material and also plays in numerous bands, including Sawed Off, Deaf  Nephews and Plainfield, to name a few.

Dan Peters: Drummed and jammed here and there for the band but is well known for being the drummer for Mudhoney.  This guy has some solo stuff out as well as material with Bundle of His, Love Battery, Feast, Screaming Trees and others.

Jason Everman: Played guitar for Nirvana after the recordings for “Bleach” and even paid for its production.  He left the band after a tour and joined up with Soundgarden, whom also parted ways with him after a lengthy tour.  Everman played in a few other bands, including Mindfunk and O.L.D., but eventually pursued a career in the military and the Special Forces, carrying out missions all over the world.  Honestly, this guy’s story is incredible.

Georg Ruthenburg:  Better known as Pat Smear, he became nirvana’s touring guitarist, helping Kurt focus on solos and vocals.  Pat was already a legend prior to joining up with the band, having been in the famous punk band, The Germs.  Pat has also spent time in the Meat Puppets, Holez, Foo Fighters (with Dave Grohl), and others.

Krist Novoselic: Played bass for the band since its inception.  He’s still quite active, jamming in groups all over the place, including the reunion of the band Flipper.

Dave Grohl: Known obviously for being Nirvana’s final drummer and the frontman for Foo Fighetrs, Dave had a career in music prior to Nirvana in the bands Dain Bramage, Scream and Harlintox AD.  He has since jammed with the Crooked Vultures Queens of the Stone Age. L7 (on live shows),Tom Petty and others.

Onto the music…..

The Early Singles/EPs:

Primarily, this includes three singles: “Love Buzz”, “Blew” and “Sliver.” If you’re hunting for these, forget finding an original copy of the first single.  You’ll pay thousands and these tracks reappeared on their first LP.  “Sliver” has been reissued in recent years and the 7” edition is pretty good, especially for the hidden phone conversation at the end.  There is a version that was released on CD in Germany via Tupelo Records that features some rare live material from an early show that has yet to appear elsewhere.  “Blew” is a good find but again, nothing too new here.

Bleach:

The debut album featured some raw and gritty tracks. The sound here is rather unique in my opinion as it really didn’t appear on later studio LPs.  You could argue that this is the most “grunge” the band got and I guess I’d agree with that.  It certainly is heavier and noisier than their second LP and doesn’t lean too much into more alternative rock.  I have some personal favorites on this one so it’ll always be a good LP for me.

Nevermind:

What can be said about this that’s not already been said? A nice blending of punk, pop rock, alternative and grunge form well written, witty and intense songs.  The range here is impressive, hopping from heavier rock gems (Smells like Teen Spirit, Stay Away, Territorial Pissings) to shocking quiet and darker tracks (Polly, Something in the Way) and hauntingly catchy pop rock (Lithium, Come As You Are).  It’s easy to see why this album singlehandedly killed big hair music and knocked Jackson off the number one spot.  The only real criticisms I hear are that the melodies on certain tracks are too similar to each other and that despite genre switches, they still sound the same.  While I guess some chords are similar, I’d not say flat out the songs here are at all the same.  And yes, I dare say that this is one of the best and most essential rock albums of all time and should be catalogued among the other great albums of the 20th century.

Incesticide:

A compilation of rarer material from the early singles, a John Peel live session and some unreleased material from around the first album, this album showcases quite a bit of variety.  There’s some grunge here, some new wave-esque rock, some superb cover tunes, and some darker stuff that still rocks HARD today.  This album is one of my favorites.  There’s not a single skip-worthy track here.

Hormoaning EP:

Released to quell the masses as Nirvana’s sudden explosion in popularity reached an uncontrollable level, this EP featured material that, for the most part, wound up being reissued on the Incesticide compilation, mostly due to the rarity of this EP.  It was hard to get in the US (to this day, I’ve yet to find one) and the rarer Australian Tour Edition was released only in 5000 unit increments in each format (tape, CD and 12”).  However, some of the tracks here are still fairly unique.  The track “D7” at the time was not released elsewhere, the version of “Aneurism” was a demo version that wound up appearing on the box set, and “Even in His Youth” seemed a bit different than the b-side version.  If you can find this, go for it, but be aware that unofficial reissues are floating around and prices vary wildly from reasonable to insanely expensive.

In Utero:

The final studio LP from the band was released in 1993.  The production here is raw and loud, much in the way of the Jesus Lizard; I guess it helps when you have the same producer.  However, singles were remixed by Scott Litt supposedly to make them sound more radio friendly.  This album is bold and dynamic, poking jabs at the band’s overwhelming popularity, the blistering hate they felt from critics, and the difficulties of handling both.  There’s a lot more pain, sickness and darkness kicking around here but it pulls us in even more.  I feel like every track here is a standout.  It’s so different from Nevermind and much more personal.  Needless to say, this one is my personal favorite.

The Live Albums:

There are quite a few to choose from.  To get a wide scope of their live shows, check out “From the Muddy Banks of the Wishkah” as it features material from 1989 – 1994.  However, if you’re looking for single-show recordings, you can’t go wrong with “Live at Reading” or the live set that accompanied the reissue of Bleach.  The Unplugged album is easily the band’s most famous set, featuring nearly all acoustic sets and a few songs the band teamed up with the Meat Puppets for.

The Later Singles:

Most of these singles found their rarer tracks reissued on the box set, or, reissued entirely remastered as box sets of their own.  This was done especially for Nevermind’s 20th anniversary specifically.  The big single that’s been on the radar for collectors as well as fans is the “Pennyroyal Tea” single.  At the time, it was issued only in Germany as was deleted/discontinued due to printing errors, thus making it the rarest single in the band’s catalog.  The b-side “I Hate Myself and I Want to Die” was featured here  but the version that appeared on the box set was incredibly different, which fueled the need to get this single all the more intense.  Bootlegs of this are everywhere and are mind-blowingly epxensive.  In 2014, a Record Store Day 7” was released and was promptly sold out and is, shockingly, once again very hard to find.

The Reissues, compilations and the Box Set:

Should you grab the special edition reissues? Um, yes.  Even though I can’t afford them right now, it’d thrill me to have them.  The alternative mixes, the demos and newer tracks that come with these are worth it to me.  The “greatest hits” compilations (simply titled “Nirvana”) wouldn’t be a bad choice to grab as well.  So far, it’s the only place to get the studio version of “You Know You’re Right” and some of the alternative mixes of singles.  The box set “With The Lights Out” is arguably the most important box set for the Nirvana fan.  Featuring over 60 rare tracks, demos, liver material and a full DVD of music videos, live footage and other chaos, it’s hard to pass this up.

The Bootlegs:

You’re better off passing these up entirely.  I say that because it has been my experience that bootlegs are variable grab bags with mixed results.  Some tracks have crystal clear soundboard quality while others were from handheld tape recorders in the back row of concerts—you can’t tell what you’re listening to.  Hell, at times, tracks on these bootlegs aren’t even from Nirvana at all.  I’ve seen some with the 60s psyche band of the same name or bands that I’m blown away that someone thought these were the same guys.  And worse still is track names are wrong, recording dates are wrong, and at times the track in question is just Kurt jamming with another band (typically Mudhoney or Tad) and yet it gets credited to being all Nirvana—it’d be more appealing to have it say “Cobain with Tad!” or something….  And then there’s the price, which is usually INSANE for what you’re getting. So pass these up entirely. It’s not worth it.

To Sum it Up:

While I’m not surprised when some of the “kids these days” don’t have a clue who Nirvana is, at least this should help guide them into it gently.  It doesn’t bother me if people dislike Nirvana even though the band’s been a personal favorite of mine, but you can’t argue that Nirvana has changed the face of music in the brief time they roamed the earth.  Hopefully my small review post here will shine a little light on their albums and help folks find one they like.

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Electronic Jams March 2015 vol 2

Deffektegg – Weightless – Amek

So I am way late on getting this posted as I received the promo in September and it somehow got lost on my laptop…. Sorry about that…  This cassette features some sweet ambient and drone music from Bulgaria and is released from the same label our good friend Mytrip calls home.  This release sounds exactly how the title of the album describes it: weightless.  Picture yourself on afloat in warm waters but upon a deep, pitch black sea with just a faint light from the moon above you.  The waves start off gently, evident on track one, but grow darker and somewhat stormy as the album goes on.  The distortion rises quite a bit; its atmospheres match what I picture to be a rough time on the water (and having grown up for a bit on the water, this is a fairly accurate match).  However, this album could also serve as a soundtrack to the most nightmarish regions of deep space.  Needless to say that things get loud, darker and wilder as the album nears its end.  Fans of Mytrip, Deeper Than Space, drone music, noise and ambient music will be happy to get this in their paws. (4.7 out of 5).  Digital downloads up on the label’s page.

Klangselektor – Headspace EP – Black Rose

Described as a mix of electronic-organic-dub-wobble and a little dubstep, this cassette paves its own way into the electronic landscape.  It’s definitely rooted in the realm of dub and it has bits of dubstep in it, but it is certainly not loud, over the top or trying to cash in on the dubstep craze.  This release is bold, fearless and fresh, drifting between classic dub and sticking its claws into the darker, more free-spirited side of dubstep.  But it’s more than that.  It leans on bits of techno, industrial and even experimental music.  In other words, this is not overly-produced crap. This IS new. This IS good.  This IS not afraid to do as it pleases.  Hell, there are even elements of spoken word here and there (most of it is in German) and that’s not something you get every day out of the genre (dub poetry not withstanding).  I like this.  It’s well worth a listen.  But hurry, this is a limited release on the cassette format! (4.9 out of 5)

Hanetration – Acid Reflux – self-released

It’s no surprise that Hanetration is good at making drones.  It shouldn’t be a surprise that the drones in question are always quite varied and aren’t your typical drones.  That is to say, that as with previous releases, the drones are samples, tweaked and manipulated and reconstructed into wild, haunting and beautiful melodic and dreamy drones.  This release compiles seven of these that you have to hear before you die.  I could get lost in these so easily, over and over again.  I can’t find too much more to say about it.  Tune in and enjoy….  (5 out of 5)

Needless Art – Embryo EP #2 – Needless Art

The sophomore release under this project, Needless Art leaps into darker and more uncharted waters.  The opening track was described as “sparse” in the promo and I feel that’s a fitting term.  Think space ambient but more… spaced out.  Track two opens with a guitar sample before hopping onto bouncy rhythmic distortion and layered drones that grow in intensity and frequency before diving back under the waves.  Perhaps a bit loud and spots but that’s just me.  A light beat meets us in the final track.  Things get a bit more experimental here, yet remain fairly simple (another “complex simplicity” type track) while engaging me all the way through.  This one feels more like a standout but fits in perfectly with the previous two tracks.  Quite an interesting release! (4.7 out of 5)

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Electronic Music Dec – March 2015

Mytrip – EMPTY – Amek Records

Mytrip stuns with this shiny little 7inch vinyl! Mytrip’s sound has reached a new frontier, staying true to the drone genre but evolving into a more ambient, atmospheric and somewhat space-ambient scape.  The A-side certainly makes this quite apparent straight away.  This is something that one might hear and a more space oriented episode of Hearts of Space.  Flipping over to the B-side, things get a bit darker here and a little more experimental.  Think FSOL meets Namlook meets Biosphere’s more beat-less side.  This is fantastic.  It’s engaging, fresh and cosmic all at the same time.  This is more than a simple drone record!  Awesome!  This is a vinyl edition of 250 so grab your copy while you can! (5 out of 5)

Squanto – Basement Tropic – Lilly Tapes and Discs

After getting a chance to hear an earlier cassette release by Squanto (and getting to hold it in my paws) I was psyched to see this come out.  It took me WAY longer than I would have liked to pop this in my machine and listen to it.  Both tracks on this cassette were pulled from live recordings and sound both planned and improvised, which makes me quite happy.  In fact, at times, it feels like a longform and well organized sound collage.  And perhaps it is that, only it grows, layers, grows some more and creates a scape of sound… a structure out of voices, musical samples and other sound manipulations.  Fans of the more experimental side of People Like Us, Negativland, and perhaps those out there who liked Kurt Cobain’s collage will love this.  I actually really liked this.  it’s not very often this style of music comes my way.  Get your copy while you can; it’s limited to 50 copies and comes with a digital download and a code for bonus material.  (4.8 out of 5)

µ-ziq – XTLP – Planet µ

A combo of two vinyl only EPs meet up here on CD, coupled with a new track as well.  The sound here, for those who haven’t had a chance to scope out the EPs, is actually quite upbeat.  I shouldn’t say that I’ve expected darker or tech-heavy tracks from Paradinas, because on every album, there’s a rich spectrum of variety.  However, here things are definitely joyful in a sense.  The synth is rich, layered and hazy.  While some folks may say this doesn’t lead to much exploration, I disagree.  Much like ambient music and the newer electronica that’s been coming out, rich synth and atmospheres give way to newer frontiers, especially when textured, layered and tweaked.  And hell, even at its simplest, it’s still quite innovative. Just look at the track “Monj2” for example.  Quick beats and simplistic synth create something lively, vibrant and captivating, and in my opinion, stunning.  Fans of his previous albums will enjoy this as well as fans of new and classic forms of electronic music.  This album is stellar.  (4.9 out of 5)

Ekoplekz –  Entropik EP – Planet µ

A new 12” from an artist who has quite the catalog of material.  This EP combines a few styles jammed together, ranging from elements of chiptune, acid, house, techno and experimental to almost ambient-esque elements.  This is a very surprising 12” in terms of sound. There’s so much going on here while it seems quite simplistic in form.  It’s a case of “complex simplicity” where a lot can be said and created with just a few elements and a plethora of skills.  Captivating, entrancing, and stunning. Another incredible release from Planet µ, to say the least.  And seeing as this is the first bit of material I’ve heard from this artist, I am certainly intrigued to hear more. (4.9 out of 5)

Middlemarch – Wolf Hall – Time Released Sound

A winning combo of Ross Baker (Second Thought, Sturmazdale) and Dimitris Avramidis (Five Minutes Alone, International Debris).  On this album, we get a superb mixture of modern classical by way of piano, flawlessly mixed with light ambience.  It’s a surprisingly beautiful album, tugging at your imagination and luring you into daydreams.  Fans of the aforementioned projects will enjoy this, along with fans of FSOL, Loose Link, Off Land, Herd and Akkya.  I wish I had more to say but this is a standout album and deserves a listen! (4.9 out of 5)

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